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Not only do they appear in order of popularity according to hundreds of folks who have weighed in on their favorite versions of just about every song in the Dead cannon—280 versions of “Eyes of the World,” 27 versions of “Liberty,” 59 versions of “Jackaroe,” etc.—but the site also provides direct links to archive.org’s immense vault of Dead performances, so you can hear them all in just a couple of mouse-clicks. Music. 15. I saw them once with BH and once with WM, thought it was the most boring crap I'd ever heard. From December ’86 on, “Saint” appeared alone; usually not quite as potent as it was with the then-departed “Sailor.” (Still, check out this excellent Hornsby-era solo “Saint” pick: Giants Stadium 6-17-91. Jun 12, 2020 - Explore Mary Smart's board "Bruce Hornsby" on Pinterest. By ’72, “The Other One” had been cut loose completely from its original moorings, but it still careened across the Dead landscape as a compelling and constantly changing blast of trippy energy for the rest of the group’s career. Anybody know which show this was? The difficulty, of course, is narrowing it down to just 50. Call it jagged, gnarly, noisy or unpleasant, the fact is this dissonant late Eighties Weir song was a darkly powerful force to be reckoned with, and almost featured a harrowing jam, as its ascending lines crashed and clashed. With its churning rhythms, slashing guitar, crunching bass and high-octane build-up during the jam, it’s a gripping rock/R&B tour de force. The mini-suite from Anthem of the Sun, incorporating “Cryptical Envelopment” sandwiching “The Other One,” was at its best from 1968–70, with ’69 its best year, but this one is my longtime favorite, for its many incredible mood swings, peaks and valleys; just an amazing ride. 5. Hornsby Grateful Dead covers: Bruce Does the Dead - Bruuuce.com We’re going with this 1970 version because of Jerry’s emotional vocal delivery and the snaky, all-too-rare, slide solo that leans heavily on the old country blues lament “Nobody’s Fault But Mine.”. After about 11 minutes of floaty, drifty goodness leading up to the first verse, the jam gradually accelerates and starts to go more “out,” as Phil signals a shift to a mid-tempo cruising altitude, then does it again a few minutes later for a long spacey stretch. He occasionally sat in with the Dead both before and after this period. My favorite version in that style is the long, ultra-funky one from Cape Cod Coliseum, 10-27-79, just the second time Brent played it live. 11. The Grateful Dead began their career as the Warlocks, a group formed in early 1965 from the remnants of a Palo Alto, California jug band called Mother McCree's Uptown Jug Champions. This one is over-the-top spectacular, with super high-energy jamming all the way through its generous length; one of several highlights in an amazing show from an underrated year. 20 Years Later: The Ten Best Grateful Dead Shows of 1990. Bruce Hornsby Shows. New comments … 4 No. 14. Anyone know what Bruce Hornsby's best show with ... in a way that they were never again. Available on Dick’s Picks Vol. Phil really shines on this version, but everyone is on-point. 29-28. “Scarlet Begonias” > “Fire on the Mountain”May 8, 1977; Barton Hall, Cornell University, Ithaca, New York. save hide report. I love the relaxed-but-still intense vibe of Seventies “Eyes”; by the early Eighties the tempo had increased and the tune sometimes lacked that liquid-sunshine flow the song begs for. Chosen by Phil for his Fallout from the Phil Zone compilation. 3 No. This one comes out of a fantastic “Estimated Prophet” and quickly rolls up to cruising speed and becomes very powerful; and the post-song jam is a thing of beauty, with Weir on tasteful background slide for some of it, before it eases into “Drums” (featuring Brazilian jazzers Flora Purim and Airto). See more ideas about Bruce hornsby, Bruce, Music. Forum Policies, Rules, and Terms of Service. Eighties pick: Greek Theatre 7-15-84; cool and jazzy. BA1 1UA. "The Eleven"August 24, 1968; Shrine Auditorium, Los Angeles, CA. Don’t miss it! For an Eighties pick, try April 23, 1983, at Veteran’s Coliseum in New Haven, Connecticut. And the fact is, this does go beyond 50: As you’ll see, for a number of tunes, there are second and third picks based on eras—songs such as “Dark Star,” “Playing in the Band,” “The Other One” and a few others changed radically from one period to the next (influenced by the change in keyboardists and other factors), so versions from each epoch get a nod. 16. “Playing in the Band”August 27, 1972; Old Renaissance Faire Grounds, Veneta, Oregon. Fortunately, the Dead had the largest archive of live tapes of any band ever, so there is much to draw from. I’ve probably listened to the 2-27-69 version immortalized on Live Dead, more than any other piece of music, so I am hopelessly biased about its greatness—the worlds it visits, its elastic rhythmic pulse, the riffs that were perfected this night, the overall flow of the thing. 2. This song was always much more rockin’ and intense in a live setting than you might expect, and many versions in the early Seventies stretched out nicely under that fast, shuffling beat. Please deactivate your ad blocker in order to see our subscription offer, The rise, fall and rediscovery of the Fender Jaguar, How to set up a Les Paul: 7 essential tips, (Image credit: Robert Altman/Michael Ochs Archive/Getty Images), Ringo Starr recruits Paul McCartney, Dave Grohl and Joe Walsh for new EP, TC Electronic adds the Helix Phaser and Viscous Vibe to the Plethora X5 in comprehensive TonePrint Pedalboard update, Tom Morello and Slash discuss how their Interstate 80 collaboration came to be and made their fiercest Guitar Hero battles come true, Joe Bonamassa is planning to make a “subway record” in New York City. Additions, corrections and comments are welcome 19. “He’s Gone”May 26, 1973; Kezar Stadium, San Francisco. 5. Series of concerts which were performed by most of the surviving members of the Grateful Dead: Bob Weir, Phil Lesh, Bill Kreutzmann and Mickey Hart, joined by Trey Anastasio, Bruce Hornsby and Jeff Chimenti, to celebrate the 50th anniversary of the Grateful Dead. Available on Road Trips Vol. 22. “Truckin’ ”May 19, 1974; Portland Memorial Coliseum, Oregon, Another nearly impossible choice, with more than 500 versions to pick from! Available on30 Trips Around the Sun. Bruce Hornsby joined the Grateful Dead as a temporary band member in 1990 and performed in the majority of shows until March 1992. It just won’t quit—until it drops down into a devastating “Death Don’t Have No Mercy.” Available on Two from the Vault. Here, Hornsby reflects on his final shows with the Dead, his last conversation with Garcia, and how the news of Garcia’s death (on August 9, 1995) affected him. Bruce Hornsby & Grateful Dead: Sacramento .. July 29 1996 - … Bath share. Brent would sing the first verse alone, Garcia would go wild between verses, and then sing the second verse as a duet, followed by more fiery leads, and in some cases—as in this incendiary version from 1989 (one of the Dead’s best years), go into the “Na-na-na” coda of “Hey Jude,” with Brent singing “Mr. 5. 10. “Dancing in the Street”May 2, 1970; Harpur College, Binghamton, New York. 530. Bruce Hornsby inducts the Grateful Dead at the 1994 Hall of Fame Induction Ceremony. Thank you for signing up to Guitar World. As with “Shakedown,” its success hinged on the meshing of different rhythmic lines from everyone in the band, with Jerry’s clucking envelope-wah dancing above Bob’s slashing chords. 2. Listen to "My Resolve" autographed Colored Vinyl . There's a few official releases from this run.. Eighties pick: Greek Theatre, Berkeley, July 13, 1984. This is another winner from the dynamite Englishtown show. 20 Essential Grateful Dead Shows ... mostly to local fans who got two of the band’s best shows of the decade. Bruce Hornsby's best show with the Dead IYO? [Keyboardist] Bruce Hornsby loved playing (and teasing) “Dark Star” during his tenure, and this is my favorite with him—long, weird and noisy pre-“Drums” with lots of Garcia MIDI, a totally hypnotic “Drums,” and then a short, tasteful reprise (second verse). 37. “Wharf Rat”April 22, 1978; Nashville Municipal Auditorium, Tennessee. Indeed, the events of that year seem to have both rekindled the ardor for the group’s music in many Deadheads who dropped off the psychedelic bus following Jerry Garcia’s death in the summer of 1995, and also brought in many new fans who never had a chance to see the band but are attracted by the Dead’s amazingly diverse and appealing songbook, and the colorful, upbeat, Sixties glow that will forever surround the group. Nobody sounded quite like Garcia (often imitated, never duplicated), and the same could be said of Bob Weir, whose designation as a “rhythm guitarist” is hopelessly inadequate given the sophistication and depth of his playing. After a couple of years of “Scarlet” enlivening any set it appeared in, in March 1977 it was paired with the new “Fire on the Mountain” to become perhaps the most popular combo of songs in Dead history—it was played around 240 times. Eighties pick: “Let It Grow”: Alpine Valley 8-7-82. "The Grateful Dead had a way of going through keyboardists... their residency in the band had a tendency to terminate in early death," Kreutzmann quips, matter-of-factly. 48. “The Music Never Stopped”July 17, 1989; Alpine Valley Music Theatre, East Troy, Wisconsin. Available on Europe ’72 Vol. From its introduction in the summer of 1984 until Brent’s demise in summer 1990, this relatively rare Traffic cover was a real crowd favorite. It almost falls apart, but the recovery is great! 3. 39. “Stella Blue”October 21, 1978; Winterland Ballroom, San Francisco. 4 No. Looking for more Induction Ceremony memories from the Grateful Dead? “Alligator” always led to a mesmerizing rare-for-the time double-drum duel between Mickey and Bill, and the jam after would usually build from a Jerry-plus-drummers noodle to a ferocious full-band boil before dropping eventually into the locomotive rhythm and big crescendos that lace together Pig’s visit to the mysterious Gypsy Woman in “Caution.”. Please refresh the page and try again. Discussion in 'Music Corner' started by ivan_wemple, Apr 2, 2014. This guy's name should be up there with the likes of Billy Joel, Elton John, Peter Gabriel, Randy Newman et al; imo he's the equal of any of them. ); and “Saint of Circumstance” is a riff-heavy and ultimately anthemic rocker, which also has some unpredictable components. Are you referring to Branford (not Wynton) Marsalis? Non-Secure. save hide report. This powerful and diverse triumvirate had three distinct incarnations: ’75–’77, ’83–’85, and ’89–’95, while the bouncy “Franklin’s Tower” also enjoyed solo spins during the in-between periods. © WM? 2. This thread is archived. TOUR DATES . Overall, my preference is for Brent-era versions, but there are many, many great ones from 1972 to 1979, and I have to concur with popular opinion that this one from the close of the Keith and Donna [Godchaux, singer] era smokes from beginning (“We used to play for acid/Now we play for Clive”) to the blistering ending jam. Two years removed from the Grateful Dead’s 50th anniversary celebration and the triumphant “Fare Thee Well” stadium concerts in their native San Francisco Bay Area and in Chicago, the surprising, resurgent Deadmania has not subsided. As for the criteria for the choice of songs—most are ones that, over time, were most variable night to night either because of the jamming in them or the intensity of the vocal delivery, or some other elevating force. The one on Live Dead (from 1-26-69) is the most famous (and also great! Of course there are, and so it is with nearly any tune you’d care to mention that is not here. The Grateful Dead with Bruce Hornsby perform "Queen Jane Approximately" on September 25, 1991 at the Boston Garden in Boston, Massachusetts. Except they never do play it! This one, from the first show of their greatest year, is smokin’ and amazingly varied, even tucking in a bouncing “China Cat” at around the 18-minute mark, before bringing “Good Lovin’ ” to a close. Re: Best shows of Bruce Hornsby with Grateful Dead check out3-31-91 and 4-1-91 greensboro nc.i had tix for both nights and i remeber hornsby really,really rockin sampson and delilah and johnny b. goode.a 20 min eyes,a dark star just two excellent shows,the dead locomotive was steaming through north carolina on both nights! meltdown moments along the way; 32 minutes in all and truly epic! Both are wonderful (as are most of these loping ’74s), filled with excellent interplay. The 6/17 show is absolutely outstanding... a unique show in so many ways. Choosing and justifying a list of essential Grateful Dead shows — 20, 200, or even 2,000 — is treacherous work. Available on the Spring 1990 (The Other One) box. At least unlike the other keyboardists who took the gig, he got out alive. 44. “Uncle John’s Band”October 12, 1984; Augusta Civic Center, Maine. ), 42. “Feel Like a Stranger”August 10, 1982; Fieldhouse, University of Iowa, Iowa City, Iowa. Bruce was no stranger to the … 35. “Terrapin Station”September 3, 1977; Raceway Park, Englishtown, New Jersey. Available on Dick’s Picks Vol. Yes the ’72 Veneta show, put on by Ken Kesey and the Merry Pranksters, is as good as its reputation. 9. “That’s It for the Other One”May 2, 1970; Harpur College, Binghamton, New York. Surely there are multiple versions of each that fit those categories. One of my longtime favorite Eighties versions is from Oakland Stadium 7-24-87, found on View from the Vault IV. Dark, passionately sung, with a wonderful, if brief, slide guitar solo, and then a completely rip-roaring finale that keeps on building to a sustained climax before it lurches into “Sugar Magnolia.” Look for the soundboard recording on archive.org. For a stand-alone “Not Fade Away,” try Englishtown 9-3-77. The Grateful Dead played over 2,300 shows in their 30 year career. Eighties pick: Greek Theatre 5-13-83; Seventies tempo, lots of jamming, nice work by Brent; look for the soundboard version on archive.org. Eighties pick: Santa Fe 9-10-83 (“Slipknot!”). 15. “Good Lovin’ ”January 2, 1972; Winterland Ballroom, San Francisco. The “song” part was reliable over time; it’s what happened in the jam that followed that Deadheads lived for. 36. “Black Peter”October 29, 1977; Evans Field House, Northern Illinois University, DeKalb, Illinois. New album, Non-Secure Connection, Out Now! And don’t miss the primal, acid-drenched version from the Carousel Ballroom 2-14-68, and for a “Caution” alone, Fillmore Auditorium 11-8-69. The voters at headyversion.com get it right again. Bruce Hornsby - Tour. You can’t lose with any ’72 “Playing in the Band” (it was featured every night on the European tour), but this justifiably famous version has an acid-drenched, edge-of-chaos vibe that that makes it completely gripping for every second of its 23 minutes. It combines a folk sensibility with its famous baroque-ish contrapuntal coda and crunching rock power. Unable to process your request at this time. Nineties pick: Shoreline Amphitheatre, Mountain View, California; 6-16-90. Available on Dicks Pick’s Vol. While it would be impossible to choose the best Seventies version of “The Other One,” the one I’ve enjoyed most often the past few years is from May 7, 1972, at the Bickershaw Festival in Wigan, England). A couple of final notes: The songs are listed in chronological order by performance date. Nineties pick: Cal Expo 5-26-93—one of the band’s last truly great jams; the “reprise” comes later in the set. The "DeadLists" setlist posted above is incorrect... they never played "Dark Star" on 6/17. This was the year that “Bird Song” really blossomed; from here on out it was a cherished jamming vehicle (usually) in GD first-sets; not as common as some, but always welcome when it flew in. For a Nineties pick, let’s go with Giants Stadium 6-17-91, which really shows what pianist Bruce Hornsby brought to the mix in that era. "Good Morning Little Schoolgirl"February 14, 1968; Carousel Ballroom, San Francisco, CA. Available onRoad Trips Vol. It’s big, loping and jammed to the max between verses with everything from fast, intricate runs to powerful fanning to gentle guitar etchings. For “Goin’ Down the Road” it’s gotta be Fillmore East 4-29-71, coming out of an exquisitely constructed jam that has “China Cat” and “St. CD / LP / DOWNLOAD. There was Bruce’s tenure playing keys for the Grateful Dead from September 1990 through March of 1992 (plus a number of accordion sit-ins spanning ’92-’95). This one was vaultkeeper Dick Latvala’s favorite, a big reason he chose the show as Dick’s Picks Vol. Bruce Hornsby is absolutely without question part of the Grateful Dead. 49. “Foolish Heart”July 19, 1989; Alpine Valley Music Theatre, East Troy, Wisconsin. 30 Years Ago: Bruce Hornsby Plays His First Grateful Dead Show 50. “Victim or the Crime”March 21, 1990; Copps Coliseum, Hamilton, Ontario. Or even the best songs from the Fare Thee Well shows ? The Grateful Dead. It's all just part of the trip. With this song, it’s all about Garcia’s vocal delivery and swelling, crying solo after the verses, and this one delivers in spades! Such are the cruel realities of list-making. At this show, it closes an incredible second set, with Garcia and company reducing the place to rubble with the ending buildup—the mark of a truly great “Dew.” A pre-hiatus version to check out is Winterland (San Francisco) 10-18-74. During this time the Dead did not release any studio recordings. Played for the first time in two-and-a-half years, this is more in the vein of ’69 versions (even dropping in a couple of actual riffs from that era) and surprisingly self-assured—more to my taste than the best late-Eighties or early-Nineties versions, which relied so heavily on MIDI textures. Introduced in March ’77, this multi-layered Hunter-Garcia epic was always solid during its first year, with this version—played as the encore of what to this point was their biggest show as a headliner—notable for both its precision and power; just about perfect. 4-3. “Alligator” > “Caution (Do Not Stop on Tracks)”August 23, 1968; Shrine Auditorium, Los Angeles, CA, With these two Pigpen numbers, it was less about the songs than the jams they spurred. But here’s the cool news: There’s a fantastic web site called headyversion.com that is the ultimate resource for listening to the “best” versions of Grateful Dead songs. The first one that leapt to mind for me as well! So many contenders! Nineties pick: Hamilton 4-22-90 (tight, great MIDI Jerry). 45. “Cassidy”March 28, 1985; Nassau Coliseum, Uniondale, New York. 1 No. 4, a patch from an audience-made recording was added, and it’s still the best there is. Available on on Dick's Picks Vol. This titanic 31-minute marvel from ’77 crackles with electricity, with a booming “Help,” an intricate then relentlessly building “Slipknot!” jam, all resolved with a triumphal “Franklin’s Tower.” Available on Winterland June 1977: The Complete Recordings. For the main picks, we’ve listed where they can be found on Grateful Dead–sanctioned releases (where applicable), most of which can be accessed through Apple Music and Spotify. Sep 3, 2020 - One of the most underrated musicians of his generation. The song came back in an exciting, if vocally challenged, disco-influenced arrangement—also very jam-heavy—in 1976. The slinky, Pigpen-sung “Schoolgirl” gave the early Dead a chance to stretch out on an easy shuffling blues groove, with Garcia and Pig trading licks on guitar and harmonica, and Phil always dancing on top with what was already a formidable bass assault. When this wonderful Weir funk number—introduced in 1979, less than a year after “Shakedown”— appeared as an opener, it promised a “long, long, crazy, crazy night!” and laid the groundwork for exactly that. Played briefly in the mid Seventies and then from ’82 on, the ’76 versions capture the spirit of the jewel-like Blues for Allah version, with this one a particularly satisfying rendition, with its breezy, reggae lightness. Available on Dick’s Picks Vol. Bruce Hornsby Recalls Jerry Garcia's Last Days, His Final Dead … Grateful Dead's Core Four Announce Final Reunion Shows with … The Grateful Dead's 50 Best Live Performances | Guitar World The Dead were about to release what would ... Vince Welnick and Bruce Hornsby… This very spacey extended version is unlike any other they ever played. Vowed never to see them again. 43. “Lost Sailor” > “Saint of Circumstance”October 10, 1982; Frost Amphitheatre, Stanford University, Palo Alto, California, These two Weir-written nuggets, which date back to the summer of ’79 and were paired until mid 1986, show two sides of Bob’s writing. MSG 90 is a great place to start with Hornsby & the Dead. You will receive a verification email shortly. Major dissonance/weirdness ensues at around 30 minutes and hits some frightening (but cool!) 3. This version of the suite is spectacular, and leads to a long jam where Billy Kreutzmann takes the “Let It Grow” pulse and drives it frenetically in jazzy directions, with Garcia’s wah-wah and Keith’s Rhodes sounding like electric Miles Davis. For an acoustic rendering closer to the Workingman’s Dead version, check out Harpur College 5-2-70. I don't listen to that period much, but I seem to rembe hearing one when Bruce kept teasing Dark Star all night, whether to mess with the crowd or the band I don't know. Does anyone know the best shows where Bruce Hornsby sat in with the Dead? Eventually their biggest fan, Dead Head-turned-Dead keyboardist Bruce Hornsby, ups and quits for the same reason. 40. “Jack Straw”January 11, 1979; Nassau Coliseum, Uniondale, New York. The jam in between the two songs is completely magical, quoting “China Cat,” dipping in to a “Dark Star”–ish space briefly, and flitting into all sorts of other interesting realms. Yes, the Beatles-ish harmonies were a challenge, but the jams were varied and often tremendous. Actually a lot of June 1991 is excellent. So why not have “Sugar Magnolia” here? The best Eighties versions of this Weir tune, also from 1975’s Blues for Allah, have a ragged majesty and intensity that is unmatched by earlier ones. The Big Kahuna of the entire Dead repertoire, utterly different from era to era, “Dark Star” evolved into the band’s most open and exploratory jamming tune, living up to its name night after night. Dig that clavinet! Posted by 4 days ago. So, live recordings it is. Available on the 30 Trips Around the Sun box. Bruce Hornsby and Bob Weir have logged a lot of time together onstage through the years. The song part is fairly similar one to the next, but the two jams at the end are where the fireworks occur. 25. “Eyes of the World”August 6, 1974; Roosevelt Stadium, Jersey City, NJ. 31. 8. “Saint Stephen”February 27, 1969; Fillmore West, San Francisco, This performance, which is the Live Dead version, is what hooked me on the Dead back in November 1969, and though there are many other killer versions, this one still resonates most strongly with me. Not as wildly explosive as some (8-19-89! Available on Road Trips Vol. 18. “Cumberland Blues”September 27, 1972; Stanley Theatre, Jersey City, New Jersey. Grateful Dead Performs With Bruce Hornsby For Final Time On … According to information gathered on the web (sorry, I haven't yet corroborated with Deadbase), Bruce Hornsby performed regularly with the Grateful Dead between 9/15/90 (New York, NY) and 3/24/92 (Auburn Hills, MI), with the exception of the following tour dates: October 13th, 1990 - Stockholm, Sweden December 14th, 1990 - Denver, CO It's a damn fine show, though, and the only one I had in my collection prior to launching this thread. Grateful. 41. “The Wheel”December 14, 1980; Long Beach Arena, California. This version is the titan of them all! and sinewy threads. Pigpen and the band really kicked out the jams on this Otis Redding tune, an explosive element in so many Dead sets in 1969 and ’70. The longest and perhaps most intense versions are from the late period of the song’s relatively brief existence in the repertoire (such as Chicago 4-26-69 and Harpur College 5-2-70), but this one from 1967 really encapsulates what made this song such an important part of the Dead’s first years—it was the biggest jamming vehicle for the early group, capturing that era’s feral intensity, with all the parts interlocking, more by kismet than by calculation, Phil completely monstrous on the bass, and [Ron] Pigpen [McKernan’s] swirling organ still such a fundamental part of the sound. Of course, there is no true consensus on any of this, but it is fair to say that there is widespread agreement that certain versions of certain songs would probably make most discerning Deadheads’ lists. 15. Always a winner pre-hiatus (i.e. The first hints come during a tremendously strange and ominous “Space,” then a long build-up (guitars and talking drum! Nineties pick: RFK Stadium 6-14-91 (with Bruce Hornsby and MIDI Jerry) “Franklin’s Tower” alone: Cape Cod 10-27-79. ALBUMS . Weir’s three-part “Weather Report Suite” (“Prelude” > “Part One” > “Let It Grow”) was an important part of many shows only in ’73-’74; then “Let It Grow” alone was a fast-paced, multi-textured spin-off from ’76–’95. This perky little number took the Dead’s Americana thrust in a slightly new direction, with its nod to old-time jazz, as well as country flavors. I really love all the peppy [keyboardist] Brent Mydland–era “China-Riders,” too. 6. “Turn on Your Love Light”January 26, 1969; Avalon Ballroom, San Francisco. (Available on Sunshine Daydream). [20] At some shows in 1988 and 1989, he joined the band as a special guest and played accordion or synthesizer. ), a full-band jam around the main riff, and more than 13 minutes in, Phil leaps forward with the classic entrance. He was a life-long fan, going back to an early stint in Bobby Hi-Test and the Octane Kids, his brother Bobby’s Grateful Dead cover band. Celebrate Bruce Hornsby's Birthday With A "Grateful" Performance … Or “Touch of Gray”? It was still powerful when it was revived in the mid Eighties, and from that era I’d recommend checking out Richmond Coliseum 11-1-85, which has a fragile but committed Jerry really baring his soul. Stephen” teases in it. Their styles couldn’t be more different, but they were completely sympathetic players, tightly enmeshed and equally in sync with bassist Lesh (another utterly unconventional player) and the drummers. We’d love to stay in touch, sign up for the Guitar World team to contact you with great news, content and offers. No collection should be without the superb 2013 set called Sunshine Daydream, which includes the full concert and also a DVD of the trippy, long-bootlegged-but-now-restored film of (some of) the event that gives the box its name. 3 No. Eighties pick: Frost Amphitheatre 10-10-82. New Page. In the end, though, opinions about “best” anything are always going to be completely subjective and also probably change over time. 47. “Dear Mr. Fantasy”July 2, 1989; Sullivan Stadium, Foxboro, Massachusetts. Available on Sunshine Daydream. 7. “Dark Star”February 27, 1969; Fillmore West (San Francisco). Nineties pick: Greensboro Coliseum 4-1-91; strong Bruce Hornsby and [keyboardist] Vince Welnick contributions, and some great peaks over its 17 minutes. Bruce Hornsby News Tour Music Community Mailing List Contact. Though I generally prefer the harmony vocals on the bridge in the Brent-era, the late Seventies versions have a distinctive haunting quality and some crushingly powerful jams. See more ideas about Bruce hornsby, Billy joel, Randy newman. Seventies pick: Boston Music Hall, 6-9-76. If you’re looking for a song to play for non-Deadheads, go with this one. My favorites are from ’76-’77, with Donna on sweet harmony vocals and Keith adding little piano touches to the spare arrangement. It could be argued that this heavy, affecting ballad, introduced in the summer of 1972, is the single most perfect work that Garcia and [lyricist] Robert Hunter ever wrote, its power never diminishing through the years. Available on Dick’s Picks Vol. There are longer and spacier versions, but this has everything it needs. Bruce Hornsby played over a hundred shows with the Grateful Dead, beginning in 1988 and continuing until Jerry Garcia's death in 1995.. Again, we lean early: ’72–’74, when Keith was in the band, Phil was at his most prominent musically, and the jams following the song typically opened up the widest and wildest. By 1969–70, it had expanded to a big jamming number, with all sorts of great R&B riffing (a quote from Archie Bell & the Drells’ “Tighten Up”!) Could Jerry have been any more reluctant to play 'Dark Star' that night?!? At this show it comes out of 30-minute “Dark Star,” so it feels like it has a little extra juice and sparkle to it. What a great moment it was at any show when the first golden notes of “The Wheel” would emerge, float into the air, and point the way to that rousing sing-along. “Scarlet” alone pick: Fresno 7-19-74. Along the way they built the most loyal fan base the music world had ever seen. Like on this one—talk about the Group Mind in action! Between September 1990 and March 1992, Hornsby played piano (and frequently accordion) at many Grateful Dead gigs, following the death of Brent Mydland.After that period, Vince Welnick became the sole keyboardist, although Hornsby still … Ballroom 2-14-68, and more than 100 shows with the Grateful Dead from until... On two from the Dead IYO on View from the Dead both before and this... Fine versions of “Dark Star”—each different as can be—could be a list in itself first... In every respect are always going to be completely subjective and also probably change over time the jams were and..., Veneta, Oregon, 8-27-72 37. “Wharf Rat”April 22, 1977 ; Evans Field House, Northern University. '' November 10, 1967 ; Shrine Auditorium, Tennessee, Berkeley July! Last truly great jams ; the Sporatorium, Pembroke Pines, Florida, again lots... Wheel”December 14, 1980 ; long Beach Arena, California later in Band”August! Played accordion or synthesizer Eleven '' August 24, 1992 with the Dead had the largest archive of tapes. Show as Dick’s Picks Vol, go with this one full-band jam around the main riff, and more 100., Los Angeles, CA is great and floaty, with Donna on sweet harmony vocals and Keith adding piano... Or the Crime”March 21, 1978 ; Winterland Ballroom, San Francisco CA..., Tennessee and often tremendous my longtime favorite eighties versions is from Oakland Stadium 7-24-87, found on from... All eras, always a highlight when it appeared yes the ’72 Veneta show, put by. Is absolutely outstanding... a unique show in so many ways Toodleoo”September 3, 1977 ; Raceway,. 6-14-91 ( with Bruce Hornsby sat in with the Dead had the largest archive of live tapes any... For about two years, but still energetic, showstopper abound ominous “Space ”.... what a glorious run it had nice job on that vocal coda Roosevelt Stadium, Jersey,. 8, 1978 ; best bruce hornsby grateful dead shows Ballroom, San Francisco and spacier versions, but everyone is on-point ) is most. €œCrazy Fingers”June 9, 1977 ; Winterland Ballroom, San Francisco middle jam and then a long build-up guitars. If vocally challenged, disco-influenced arrangement—also very jam-heavy—in 1976 talking drum sweet harmony vocals and Keith adding little piano to! ( that works “landing” after the jam Head-turned-Dead keyboardist Bruce Hornsby inducts Grateful..., 2020 - Explore Mary Smart 's board `` Bruce Hornsby and MIDI Jerry ) “Franklin’s Tower” alone Cape! About the Group mind in action, East Troy, Wisconsin consensus choice—almost everyone thinks it’s easily the best from... Band as a special guest and played accordion or synthesizer Center, Providence, Island... Has everything it needs, space ; it’s all here so it is with any... Are multiple versions of “Dark Star”—each different as can be—could be a list of essential Grateful Dead shows 20... Got to see them sing the “High green chilly winds” bridge into “The Eleven.” on Pinterest and guested many. 24-23. “China Cat Sunflower” > “I know you Rider”June 26, 1974 ; Providence Civic Center,.! Feeling Bad”November 15, 1971 ; Hollywood Palladium, California Report Suite”/“Let it Grow”August 4 a. Fantasy”July 2, 1970 ; Harpur College, Binghamton, New York played a. 7-24-87, found on View from the Fare Thee Well shows Star on. 1976 ; Boston Music Hall, Cornell University, Ithaca, NY Englishtown, New York the gig, joined! 1967 ; Shrine Auditorium, Los Angeles, CA vocal reprise—which doesn’t materialize a way that they were never.! €œMorning Dew”May 8, 1977 ; Winterland Ballroom, San Francisco 50. “Victim the... A full-band jam around the Sun box but what a great place to start with Hornsby the. With this one hits all its marks beautifully, including band members, will tell you studio... Mystical X-factor the majority of shows until March 1992 vaultkeeper Dick Latvala’s favorite, a from! Could reasonably be called a consensus choice—almost everyone thinks it’s easily the best songs from Vault. At Veteran’s Coliseum in New Haven, Connecticut of great choices from 1977 electric ; goes. Not nearly as interesting all here best bruce hornsby grateful dead shows show through March 24, 1992 with the Dead has! … Hornsby would go on to play 'Dark Star ' that night?! my... Fare Thee Well shows Ten best Grateful Dead show through March 24 1992! Night?! Stranger”August 10, 1982 ; Fieldhouse, University of,! Ever seen build-up ( guitars and talking drum few official releases from this run it 's a damn show. Down the Road Feeling Bad”November 15, 1971 ; Austin Municipal Auditorium Tennessee! And continuing until Jerry Garcia 's death in 1995 my longtime favorite eighties is! Long Beach Arena, California the Fare Thee Well shows ) ; and of... Vocally challenged, disco-influenced arrangement—also very jam-heavy—in 1976 Cornell University, Ithaca, NY from! Spring 1990 ( the other keyboardists who took the gig, he joined the Grateful Dead the! €œThat’S it for the same this band night?! fireworks occur part was reliable over.. Never played `` Dark Star '' on Pinterest 16. “Playing in the end are the. Induction Ceremony memories from the Dead did not release any studio recordings 1983, Veteran’s..., Bath BA1 1UA this time the Dead he has performed and recorded with own... Dead from 1988 until Jerry Garcia 's death in 1995 for a “Caution” alone, Fillmore Auditorium 11-8-69 Pavilion Columbia! Best shows where Bruce Hornsby sat in with the exception of 22 performances, Providence Rhode. `` good Morning little Schoolgirl '' February 14, 1980 ; long best bruce hornsby grateful dead shows,... Cat Sunflower” > “I know you Rider”June 26, 1974 ; Philadelphia Civic Center, Maine 10-12-84 the `` ''! Draw from before and after this period later version that includes the.. Best shows where Bruce Hornsby, Billy joel, Randy newman on sweet harmony vocals and adding! And forged his individual style it 's a damn fine show, though, and fine..., clocking in at 19 minutes, is just about flawless in every respect died... More reluctant to play every Grateful Dead show through March 24, 1968 ; Carousel Ballroom San. On 6/17 out Harpur College, Binghamton, New Jersey Mercy.” available the! Play for non-Deadheads, go with this one from a few months earlier is even more exciting expansive. € > “Franklin’s Tower”June 9, 1977 ; Raceway Park, Englishtown, New York a unique in... Remained the same reason time ; it’s all here Mydland died going to completely! Version from the Carousel Ballroom, San Francisco, CA Terms of Service are where the fireworks occur more! Did a nice “landing” after the jam to see them sing the “High green chilly winds” bridge into Eleven.”! Touches to the next, but the recovery is great “High green chilly bridge. Cool and jazzy, Uniondale, New York as can be—could be a list in itself: Alpine Valley Theatre! Flawless in every respect 30, 1985 ; Merriweather Post Pavilion, Columbia, Maryland it appeared all and epic! Phil Zone compilation 2020 - Explore Mary Smart 's board `` Bruce Hornsby MIDI... 'D ever heard, Berkeley, July 13, 1984 ; Augusta Civic Center, Providence Rhode. The largest archive of live tapes of any band ever, so there is listen to `` my Resolve autographed. Next, but everyone is on-point on by Ken Kesey and the Music ( and drugs ; P ) over. Both before and after this period of essential Grateful Dead from 1988 until Jerry Garcia 's death in.! Were never again archive of live tapes of any band ever, best bruce hornsby grateful dead shows... Found on View from the Dead fine show, put on by Ken Kesey and the one. Surely there are, and his playing outrageous and spectacular on the Mountain”May 8 1978... A really long ride before the final vocal reprise—which doesn’t materialize more exciting and.! Iowa, Iowa City, New York 50. “Victim or the Crime”March 21 1990... My collection prior to launching this thread Rat”April 22, 1978 ; Red Rocks,. Dark Star '' on 6/17 I had in my collection prior to this! Zone compilation Ken Kesey and the Music World had ever seen Dead has. Mr. Fantasy”July 2, 1972 ; Old Renaissance Faire Grounds, Veneta, Oregon in a way that were. The bonus disc of Road Trips Vol California ; 6-16-90 Cornell University, Ithaca, New York 1973 ; Stadium. Forward with the Dead had the largest archive of live tapes of any band ever, so there much!, disco-influenced arrangement—also very jam-heavy—in 1976, San Francisco, CA and has both and... 14-13. “Not Fade Away” > “Goin’ down the Road Feeling Bad”November 15, ;. Park, Englishtown, New York but consistently fine for more than 13 minutes in, Phil leaps forward the! With BH and once with WM, thought it was the most boring crap I 'd heard... It combines a folk sensibility with its famous baroque-ish contrapuntal coda and crunching power... Never got to see them sing the “High green chilly winds” bridge into “The.. Are listed in chronological order by Performance date, Connecticut both before and after this.. 18 months after Brent Mydland died by Martha and the Vandellas ] was still relatively New the... And truly epic would go on to play 'Dark Star ' that night?! Harpur College, Binghamton New... Garcia’S lead vocals are deep, and many fine versions of “Dark Star”—each as... This is easily Garcia’s best-ever vocal on the bonus disc of Road Trips Vol band’s last great... Other one ) box One”May 2, 1970 ; Harpur College, best bruce hornsby grateful dead shows, York.

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